| EDUCATION | ||
| 19982000 | California
College of Arts and Crafts (CCAC), San Francisco, CA Masters in Fine Art: Visual Art |
|
| 19971998 | San
Jose State University, San Jose, CA Bachelors in Fine Art: Emphasis in Printmaking and Drawing |
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| AWARDS AND HONORS | ||
| 2007 | CAA Centennial • Selected Alumni – Oakland Museum, CA | |
| Rhizome Commission • Rhizome / New Museum of Contemporary Art– New York, NY | ||
| Art in General, 25th Anniversary Exhibition • Art in General at UBS – New York, NY | ||
| Project Commission: Life/Theater Project • Southern Exposure – San Francisco, CA | ||
| 2006 | S.J.
Truman Award •
National Academy Museum, New York, NY |
|
Dodge
Foundation Grant • Middlesex High School, Middlesex,
NJ |
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The Bartlebooth Award • The Art Newspaper, London, UK |
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| 2005 | New Commissions • Art in General, New York, NY |
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Commissioned Performance/Event • Reykjavik Art Museum, Reykjavik, Iceland |
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Performa ‘05 • Visual Art Performance Biennial, New York, New York |
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Artist in Residence / Commission • Socrates Sculpture Park, Queens, NY |
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| 2004 | Invitational
Artist Project and Publication • Indianapolis Museum
of Contemporary Art The City System |
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| 2003 | Video Projections • 8th Havana Biennial - Pabellon, Cuba | |
| Selected Representative • Glowlab (NY) - Sparwasser HQ, Berlin | ||
| 2002 | Affiliate Artist Award • Headlands Center for the Arts • Marin, CA | |
| Selected
Artist -Gen
Art Award •
Emerge,
San Francisco, CA Juror: Arnold Kemp, Associate Curator of Visual Arts, Yerba Buena Center for the Arts |
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| Landmark,
Artist in Residence •
San Francisco, CA San Francisco Files, Co-sponsored by Pond Gallery |
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| 2000 | M.F.A. Graduate Studio Award Recipient • Headlands Center for the Arts, Marin, CA | |
| Artists Fellowship Award Recipient • Kala Art Institute, Berkeley CA | ||
| 1999 | Top
Award • Art
Matters - Oakland CA Juror - David Ross, Head Curator, San Francisco Museum of Modern Art |
|
| Top
Award • Hamaguchi Printmaking Scholarship - San Francisco,
CA Jurors - Squeak Carnwath and Charles Gill |
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| 1998 | Selected
Representative - All College Honors, Graduate Department of Fine
Art, CCAC Jurors - CCAC Faculty |
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| SOLO EXHIBITIONS & PROJECTS | ||
| 2008 | Lee
Walton – Life/Theater Performance: Parents and Other People from the Neighborhood |
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| Lee
Walton – New Work Sacco Gallery, Miami, FL |
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| 2007 | Lee
Walton – Life/Theater Project: San Francisco Southern Exposure, San Francisco, CA |
|
| Lee
Walton – Exhibition (with lecture, and student project) Washington State University Tri-Cities, Richland, Washington |
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| 2006 | Lee
Walton- Video Work 00130Gallery Helsinki, Helsinki, Finland |
|
| Union
Square Park – Giving It Up For Life The Conflux: Organized by Glowab, New York, NY |
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| 2005 | Baseball
and Drawings Kraushaar Gallery, New York, NY |
|
| The
Experiential Project Art in General- Project Space, New York, NY |
||
| Following
the Man in the Crowd (with Christina Ray) Spectropolis- Mobile Media, Art and the City, New York, NY |
||
| Lee
Walton vs. Shaquille O'Neal - Free Throw Competition Lemon Sky Projects, Miami, Florida |
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| Writing
a Song is Easy (with Laresa Kosloff) Clubs Project Inc., Victoria, Australia |
||
| 2004 | Making
Changes - Red vs Blue 667 Shotwell, San Francisco, CA |
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| Life/Theater
Project Psy-Geo Conflux, New York, NY |
||
| City
Systems - The Project University of Fontenay-aux-Roses, France |
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| 2003 | “One
Shot a Day” Lincoln Park Golf Course, San Francisco, CA |
|
| Last
Place, The 2003 Walton Derby Southern Exposure, San Francisco, CA |
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| 2002 | 50
Objects, The Project Space Headlands Center for the Arts, Marin, CA |
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| The
San Francisco Files Part II - City Systems SPUR (The S.F. Planning and Urban Research Association), San Francisco, CA |
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| Ambulatory
Gambit S.F. Bureau of Urban Secrets and S.F. Files - San Francisco, CA |
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| 2001 | Red
Ball Silent Gallery, San Francisco, CA |
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| SELECTED GROUP EXHIBITIONS & PROJECTS | ||
| 2008 | New
Directions in American Drawing |
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| 2007 | Art
in General, 25th Anniversary Exhibition |
|
CCA
Centennial – Selected Artists from 100 Years of CCA |
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Upon
Further Review |
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Inaugural
Exhibition |
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Come
on Pilgrim: A 110 Mile Exhibition |
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Character
Reference |
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On Being an Exhibition |
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Currently
Untitled |
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Show #13 |
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Getting
Along |
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| 2006 | Art
in the Contested City - A Conference Exploring the Role of the Arts
in Contemporary Struggles over Urban Space |
|
Invisible
Layers- Electric Cities |
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| The
181st Annual National Academy Museum, New York, NY |
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| Art
in the Contested City Pratt University, Brooklyn, NY |
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| Platform
for Urban Investigation PUI: A Nomadic Research Project, Curated by Allard Van Hoorn, Beijing and Amsterdam |
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| EXACT UTIL –Curated by Vincent Meessen, Brussels, Belgium |
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| Art
in the Contested City Pratt University, Brooklyn, NY |
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| Dead
of Winter Hudson Valley Center for Contemporary Art, Peekskill, NY |
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| Trees New Jersey Center for Visual Art, Museum Summit, NJ |
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| ZeroOne
San Jose: A Global Festival of Art on the Edge ISEA2006 Symposium, San Jose, CA |
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| Systems Rhizome at Scope International Art Fair – New York, NY |
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| Video
Projects with independent curator María del Carmen El Pobre Diablo, Quito, Ecuador |
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| Harvey
Loves Harvey Loves Lee Walton NESADSU Gallery – Suffolk University, Boston MA |
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| 2005 | 2005
Spring Exhibition Socrates Sculpture Park - Queens, NY |
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| BUSY
SIGNALS: Telephonic Art in Motion Berkeley Art Museum and Pacific Film Archive, Berkeley, CA |
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| Rethinking
the City Reykjavik Art Museum, Reykjavik, Iceland |
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| Upon
Further Review The Berth and Karl Leubsdorf Art Gallery at Hunter College - New York, NY |
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| Dead
Kids Do Nothing 31 Grand - Williamsburg, NY |
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| Glowlab:
Open Lab Art Interactive, Cambridge, MA |
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| Marking
Time and Mapping Thought (catalogue) San Francisco Arts Commission Gallery, San Francisco, CA |
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| Performa
‘05 Artists Space, New York, NY |
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| iPods Fine Arts in Space, Queens, NY |
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| Non-Narrative Treetop Gallery at Mountain View College, Dallas, TX |
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| Fresh
Trouble Jeff Jahn Production, Portland, OR |
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| Performance
Project Scope International Art Fair, New York |
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|
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"Old
Habits Die Hard" - A Traveling Exhibition |
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| 2004 | Out
Of Place Indianapolis Museum of Contemporary Art - Indianapolis, IN |
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| One
Block Radius The New Museum of Contemporary Art - New York, NY Supporting Project for Christina Ray and Dave Mandl of Glowlab. |
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| 1:100 DCKT Contemporary - New York, NY |
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| Scores White Columns - New York, NY |
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| MultipleMISCELLANEOUSalliances
(mMa) Clubs Project - Melbourne, Australia |
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Sadie
Hawkins |
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| Video
Screening Portland Film Festival - Portland, OR |
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| Miles
Ake Locker Project Gallery 290 - San Francisco, CA |
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| California
Dreamin’ Heather Marx Gallery - San Francisco, CA |
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| 2003 | Psy-Geo
Conflux: May 9 – 11 Glowlab at ABC No Rio , New York, NY |
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| The
Best Coast Show A Survey of Young West Coast Artists - Portland, OR Curator: Jeff Jahn |
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| The
Clothing Project Kunsthall Fridericianum, Kassell, Germany Curated by Ted Purves and It Can Change |
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| Commission
03 San Francisco Arts Commission, San Francisco, CA |
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| an
uncertain line: some approaches to drawing Spangaga, San Francisco, CA |
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| Exhibition
Games San Francisco Arts Commission, San Francisco, CA |
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| Solid
Gold Southern Exposure, San Francisco, CA |
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| Close
Calls Headland Center for the Arts, Sausalito, CA |
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| 2002 | “PHOOD”,
Shadow Cabinets in a Bright Country Apexart, New York, NY Curated by Ted Purves & It Can Change |
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| Emerge GenArtSF, San Francisco, CA |
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| The
Earth Exhibition Potrero Gardens, San Francisco, CA |
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| Frisco Spangaga, San Francisco, CA |
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| 2001 | A
Fine Line Kala Art Institute, Berkeley, CA |
|
| Last
Place Refusalon, San Francisco, CA |
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| RECENT GUEST LECTURES AND ARTIST VISITS | ||
| 2007 | Columbus
Museum,
Columbus, GA Panelist: New Directions in American Drawing |
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| The
De Young Museum, San Francisco, CA Mapping the City: Artists Engage with the Urban Environment Remotely Orchestrated Life/Theater Performance |
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| Washington
State University Tri-Cities,
Richland, Washington Guest Lecturer, Exhibition and Student Project |
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| Portland
State University,
Portland, OR Guest Lecturer and Graduate Studio Visits |
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| Sarah
Lawrence College, Bronxville, NY Guest Artist: Public Interaction |
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| New
York University,
New York, NY Visiting Artist – Graduate Critique, Interdisciplinary Program |
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| 2006 | Maryland Institute College of Art, Baltimore, Maryland Visiting Artist – Interactive Media | |
| Parsons,
The New School of Art and Design, New York, NY Visiting Artist - Conceptual Processes in Photography |
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| University
of Ulster –
Interface Center of Research and Design, Belfast, Ireland Lecture: Engaging the City, Playful Orchestrations |
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| The
Kitchen, New York, NY Guest Lecturer and Project – Art and Social Practice Come Together: Sidney Kahn Summer Institute with Harrell Fletcher |
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| Visual
Arts Center Of New Jersey, Summit, NJ Lead Artist – Annual Teachers Symposium (Lecture, Performance and Workshop) |
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| Parson,
The New School for Art and Design, New York, NY Visiting Artist – MFA Design and Technology |
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| Columbia
University, New York, NY Visiting Artist – Introduction to Architecture |
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| 2005 | Art
in General, New York, NY Panel – Artists and Collectives |
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| Eyebeam,
New York, NY Panel – Urban Games: Real Action in the World Reality |
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| Parsons,
The New School for Art and Design,
New York, NY Visiting Artist (with Christina Ray of Glowlab) – Psychogeography and urban drifts |
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| Reykjavik
Art Museum, Reykjavik, Iceland Visiting Artist – Cities and Observations |
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| Glowlab
- New York Glowlounge - Psychogeography |
||
| 2004 | Portland
Institute of Contemporary Art |
|
| San
Francisco State University Guest Lecturer and Performance– (CIA) Conceptual and Information Arts |
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| San
Francisco Art Institute Graduate Seminar - Art as Experience |
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| California
College of Arts and Crafts Graduate Alumni Panel |
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| J.F.K.
University, Oakland New Genre |
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ARTICLES, REVIEWS AND CATALOGS
|
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| 2007 | OH!
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| 2006 | Time
Out New York
The
Mercury News
Bloomberg
News |
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| 2005 | The
Village Voice
New
York Sun
New
York Times Black
Book Magazine Big
Red and Shiny
Hunter
College Exhibition Catalogue |
|
| 2004 | New
York Times New
York Press Indianapolis
Business Journal Glowlab iMOCA's
Inaugural Show SF
Bay Gaurdian SF
Gate Artweek |
|
| 2003 | SF
Chronicle S.F.
Gate S.F.
Bay Gaurdian SF
Chronicle SF
Weekly |
|
| 2002 | Artweek S.F.
Examiner The
Organ – Review of Arts SPUR:
San Francisco Planning and Urban Research Association |
|
| 2001 | Rhizome Red Ball – Silent Gallery May, 2001 Ian Alteveer – Art Historian |
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| SELECTED COLLECTIONS | ||
| Martin Z. Margulies, Miami, FL | ||
| Metropolitan Museum of Art, Print Collection - New York, NY | ||
| The Columbus Museum, Permanent Collection- Columbus, Georgia | ||
| Reykjavik Art Museum, Permanent Collection - Reykjavik, Iceland | ||
| Arkansas Arts Center - Little Rock, Arkansas | ||
| Deutsche Bank Collection, New York, NY | ||
| David Ross, Private Video Collection | ||
| Regan Grusy, Private Video Collection | ||
| Marisa S. Olson, Curator - Rhizome, NY | ||
| Heather Marx and Steve Zavattero, Private Collection | ||
| Sally Allen, Private Collection | ||
| Tucker Nichols, “Some-what Permanent” Collection… | ||
| Ken Knabb, City System- Personal Copy | ||
| Leif Bjelland, Private Collection and Commissioned Work | ||
| Jeannene Przyblyski, S.F.B.U.S. Permanent Collection and Archive | ||
| California College of Arts, Archive | ||
James T. Dyke Collection, Little Rock, Arkansas |
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